Wine of Plenty

Salvador Dal?’s epicurean guidebook

Hot on the heels (or lobster claws) of the best-selling Salvador Dal? phenomenon, Les d?ners de Gala, TASCHEN presents the artist’s equally surreal and sensual viticulture follow-up: The Wines of Gala. A Dal?nian take on pleasures of the grape and a coveted collectible, the book sets out to organize wines “according to the sensations they create in our very depths.” Through eclectic metrics like production method, weight, and color, the book presents wines of the world in such innovative, Dal?esque groupings as “Wines of Frivolity,” “Wines of the Impossible,” and “Wines of Light.”

Bursting with imagery, the book features more than 140 illustrations by Dal?. Many of these are appropriated artworks, including various classical nudes, all of them reconstructed with suitably Surrealist, provocative touches, like Jean-Fran?ois Millet’s The Angelus, one of Dal?’s favorite points of reference over the decades. Dal? also included what is now considered one of the greatest works from his late “Nuclear Mystic” phase, The Sacrament of the Last Supper (1955), which sets the iconic biblical scene in a translucent dodecahedron-shaped space before a Catalonian coastal landscape. Dal? was by this stage a devout Catholic, simultaneously captivated by science, optical illusion, and the atomic age.

The first section is dedicated to “Ten Divine Dal? Wines,” an overview of 10 important wine-growing regions, while the second develops Dal?’s revolutionary ordering of wine by emotional experience, instead of by geography or variety. Rather than any prescriptive classification, it’s a flamboyant, free-flowing manifesto in favor of taste and feeling, as much a multisensory treat as a full-bodied document of Dal?’s late-stage oeuvre, in which the artist both reflected on formative influences and refined his own cultural legacy.